Luchino Visconti’s "The Leopard" ("Il Gattopardo") is an epic on the grandest possible scale. The film recreates, with nostalgia, drama, and opulence, the tumultuous years of Italy’s Risorgimento—when the aristocracy lost its grip and the middle classes rose and formed a unified, democratic Italy. Burt Lancaster stars as the aging prince watching his culture and fortune wane in the face of a new generation, represented by his upstart nephew (Alain Delon) and his beautiful fiancée (Claudia Cardinale). Awarded the Palme d’Or at the 1963 Cannes Film Festival, "The Leopard" translates Giuseppe Tomasi di Lampedusa’s novel, and the history it recounts, into a truly cinematic masterpiece.
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About the director(s):
Luchino Visconti (2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. Born into a Milanese noble family with close ties to the artistic world, Visconti began his career in France as an assistant director to Jean Renoir. His 1943 directorial debut, "Ossessione", was condemned by the Fascist regime for its unvarnished depictions of working-class characters, but is today renowned as a pioneering work of Italian cinema, generally regarded as the first neorealist film. During World War II, he served in the anti-fascist resistance, and afterwards was active in left-wing politics. Visconti received several notable accolades, including both the Palme d'Or (for "The Leopard") and the Golden Lion (for 1965’s "Sandra"), the latter out of five total nominations. He won the David di Donatello for Best Director twice and the Nastro d'Argento for Best Director four times, and was both an Oscar and BAFTA Award nominee.
Luchino Visconti