Film catalogue

In a small Portuguese town, a family is turned upside down when their son leaves to study in London. Focusing only on the school breaks when he comes back home (Winter, Spring, Summer, Autumn), we observe snapshots of a daughter’s coming of age, a father's mid-life crisis, a son’s emancipation and a mother learning to cope with an "empty nest”. 'Autumn’ is an intimate, heartwarming and nuanced portrayal of family relationships, offering a poignant reflection on how we all often struggle to move on, grow up and grow old.

This is a story of reminiscence, remembering my long-deceased Grandpa. To remember is to transcend, therefore it’s a story of time and space, overlapped and intertwined. It’s also a quest of love and work, a spiritual and emotional journey: and through which values are re-examined and life reaffirmed. In the end, what Faye has been yearning for is not a ‘home’ in the conventional sense, but a ‘hotel’ which she owns and designs by herself like her Grandpa used to.

A late summer typhoon looms as Ting’s wedding approaches. Urged on by her mother, Ting sets out from Guangzhou to Hong Kong to look for her father who has been absent for 20 years. On her trip, Ting’s vague memories from the past come back to her. An unexpected encounter leads Ting to find out the truth of her family. She gets in touch with an old friend, Yuseng. They spend a night together at Yuseng's place, both feeling as if they were in a dream, searching for the lost time…

In Northeast China, Shenyang is a city in decay. Xu Lingling longs for love and family, yet the 25-year-old has contracted uremia and her life is crumbling. Amidst a family crisis and a series of changes, her troublesome father returns due to his daughter's illness. Together with her best friend Tan Na and a former classmate Zhao Dongyang, the three lean on each other for solace. One day they decide to hit the road and the trip reveals intricate facets of human nature and emotions in this dimly lit world.

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Since his release from prison, Sweet Potato has been content with running a small business with meagre earnings by the seaside, heedless of others people’s advice against it. He is pulled into the whirlpool of his past when his old “boss” (whom he has never met), his mother (who thrusts all her debts upon him), and his buddy Maozi all re-appear into his life. One after the other, they regain control over his present life leaving him no hope for the future. Only Seven can assuage his anxieties ever so slightly. One day, at the smoggy and oppressive seaside, Sweet Potato is finally granted a meeting with the “boss”…

Logline /Synopsis English: The film takes place in Tokyo during the Olympics amid the COVID-19 pandemic. Tired of rushing through life, young people gather at a small guesthouse in Tokyo, where they explore their own paths and grow through new relationships and experiences. The youthful ensemble drama is centered around the theme of a "break" and depicts the modest growth of young people.

A religious devotee, trapped in an enforced gender identity, plots an escape from his oppressive village in this delicately layered examination of gender fluidity. Every night Valli is sought after for his blessings as a jogta—presenting as a woman devotee bound to a Hindu goddess. Though he is spiritually revered, he is also ostracised by the villagers and routinely subject to their harassment and violence. Stifled by his life of servitude, he wishes to renounce his jogta identity and live as a man. To do so, he enlists the help of his only friend and fellow castaway, Tara. With its intimate portrayal of the jogappa tradition in the rural regions of western Maharashtra, the film immerses us in Valli‘s world, capturing his difficult journey while bravely interrogating gender expectations and religious tradition without reaching for easy answers.

Best friends since high school, Kim and Amy haven’t seen each other since Amy moved to the west coast for grad school. Now the two are reunited as they join a group of friends for a trip to a lake house with Kim’s boyfriend, Jay. When Amy had left for the west coast, she was in love with Jay, though she never pursued it due to her insecurities thinking she was too fat and ugly. While she has changed physically, her feelings for Jay haven’t, and the reunion has brought them back to the surface. That maelstrom of emotions within her is poised to reveal itself at any moment as the group's struggles to find something to do in the empty little beach town turns into an unsuccessful effort by all of them to sort through attractions to each other, as well as suppress old resentments, jealousies and desires before they leave.