Film catalogue

While a gamer uploads a testimonial video to denounce the harassment she suffers in a war video game, a stranger enters her home and hacks her computer, blurring the boundaries of the real and the virtual with chaotic consequences.

A buddhist fable-like story about the guilt of a childhood incident of killing an ant while washing hands in the sink. Animated through photographic sequences painted with golds and grays, the Zen-like visuals sweep into one another with whispering monologues and glitching noises reflecting the realms of cosmos, power, guilt, prayers, and existence.

A husband and wife married for 5 years, own an Odong-Odong at the carnival together, spending their days entertaining and taking care of other people’s children without any of their own. Between meddling relatives, self-doubt and an explosive confrontation, they uncover why they have not been blessed with a child.

The girl draws a circle on the ground. Passersby step into it, one by one. Soon the circle is full of people, struggling to stay within. Once the girl returns and erase the circle, people start heading their way.

CLOWN*ESSES shows the lives of contemporary feminist clowns who turn the world upside down beyond learned structures. The clown*esses Gözde and Lokke emancipate themselves from patriarchal structures and representations in search of their very own homeland. Between the stage and everyday life, they find their constant in transformation and enter into a dialogue with themselves and the world. An underestimated theatrical art becomes a niche of feminism. A documentary between reality and magic.

Mila struggles as she remains unpaid at work and a love interest becomes a source of comfort through his constant phone calls. But a promise of hope may also lead to tragedy and sad love songs.

"Eight horses chasing the wind" is inspired by the feng shui painting "Mã đáo thành công" The image of 8 magnificent horses rushing in the wind brings good news, with no clear beginning or end point. 8 horses seem to be stuck in a romantic landscape and just keep running on that landscape. A continuous movement and interaction between events and contexts. These events take place next to each other, do not interfere with each other but still leave certain impacts.

A 60-year-old man, who grew up in a nomadic tribe in the mountains of southeast Turkey, recalls moments from his youth that have shaped his life. He takes us back to his idyllic childhood with his mother, his first love found in a cotton field and lost in the woods, and the mistreatment suffered at the hands of the police, in a cold and dark place.

Huy‘s transcontinental relationship with his grandparents alternates between closeness and distance. After years of absence he visits them and embarks on a highly personal journey to the source of emotional conflict between the generations within his family.

Echoed in a memory-laden house are daily conversations between a mother and her two sons, all seemingly asleep. This autobiographical short, in a hybrid form, chronicles a personal memory from director Le Ngoc Duy's adolescence, using set design and reenactment to reconstruct his childhood home and featuring his mother’s voice as part of the cast.

“The face of my younger brother upon his death was my own.” Shusaku Aota sees himself in the face of his deceased brother. Distant howling that comes from an unknown location. His younger brother’s memories. His bedridden pupil Kaoru Nogi appears out of thin air. “It’s me, after all.” Shusaku loses sight of where he stands, where he is, where he exists.

Due to economic and technological forces reshaping the city of Tangier, the profession of the bleach street salesmen, along with their insistent chanting, is disappearing. The film explores modes of resistance against the relentless pace of capitalism.